Where words fail, images are a powerful way to communicate. That’s why they are an integral component of print and digital journalism. Their ability to elicit a visceral reaction is what informs the decisions about which images are — and are not — published or broadcast.
That, on its own, raises a number of questions. It is generally accepted that children cannot give informed consent to appear in photographs or video footage and that has to be sought from a parent or guardian. This is standard practice, at least when the subjects are Westerners or in the West. But all too often, the standards are different when it comes to Africans. featuring African children, or images of African children in distress or at risk.
There have not been many images of Western grief during this pandemic — with a few exceptions where subjects have expressly consented. Western media organisations understand how depictions shape perceptions. Notions of race, purity and cleanliness are inextricably linked to morality the world over. And the media reinforces racialised representations of Africans in its sourcing of images.
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