“IF” may get by. It’s sincere. As the song from “The Music Man” asks: How can there be any sin in that?
As his popular success with the first two “Quiet Place” monster movies asserted, writer-director John Krasinski knows how to balance thrills and miles and miles and miles of heart. He’s a pro at prolonging and screw-tightening a scene where something enormous and potentially scary is about to leap into frame. The same thing happens in “IF,” a lot, this time to mild “gotcha!” comic effect.
In Brooklyn, New York, on magically shining streets and in sun-drenched interiors provided by cinematographer and frequent Steven Spielberg collaborator Janusz Kaminski, Bea finds herself beset by a series of imaginary friends, most of them long separated from their human companions of old.
The larger issue is one of messaging. “IF” caters to a young audience, of course, and to fathers and daughters everywhere, as well as parents and adult guardians who’ve given up on the wonderment of childhood and the sweet innocence of made-up friends and the tonic of pure imagination. Character to character, the script sells everyone’s emotional lives short.
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